Russia’s Latest Troll Site is a Total Failure

THE FOUNDATION TO BATTLE INJUSTICE claims to be a human rights organisation for victims of state violence in predominantly English-speaking countries.

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Dubbed the “Russian FBI” in its home country, the organisation is, in fact, the latest project of Yevgeny Prigozhin, who was recently added to the American FBI’s “Most Wanted” list for allegedly organising online disinformation campaigns on behalf of the Kremlin.

Prigozhin announced the project on March 23 via Russian social media platform VK, from which he publicly answers questions from journalists. The foundation’s official site, launched on the same day, describes its founder as a “Russian entrepreneur” and lists “providing legal […] financial” and “media support for victims of police” among its purported goals.

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The site follows in the recent tradition of Russian troll sites like USA Really and Peacedata, which published in English and were primarily aimed at a U.S. audience. However, neither of those sites openly declared their Russian origins.

Asked for his take, transnational Russian crime expert Mark Galeotti said the site was “likely a bit of obvious trolling more than a serious attempt to set up a fake HRO that might pass muster.”

To date, the organisation has received no media coverage in the English-speaking press and its Twitter account has just two followers.

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The organisation has fared better in Russia, where Prigozhin has the advantage of chairing of his own media conglomerate, Patriot Media Group, which oversees at least nine pro-Kremlin news sites. Via these sites, Prigozhin recently published dozens of stories touting his foundation’s purported efforts to investigate alleged police misconduct in the U.S. and elsewhere.

“Russian FBI investigates case of brutal detention of African American in Ohio,” read one headline by the Federal News Agency, which noted that Prigozhin’s foundation has “asked US President Joseph Biden, Secretary of State Anthony Blinken and Attorney General Merrick Garland for clarification on the current case.”

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In an attempt to better understand Prigozhin’s latest venture, I sent journalistic inquiries to the site’s “info@” email address and Alexey Kochargin, who is listed as a contact on the foundation’s VK account. Neither responded.

I also sent questions to people publicly associated with the site including Alexander Malkevich, who is twice-sanctioned by the U.S. government for his ties to Prigozhin, and who recently commented favourably about the foundation’s work in Russian media. Here is his reply:

You are a very stubborn person in all that concerns conspiracy and inventions about me. Read attentively. I gave a comment about what I think about such a project. And today I gave a commentary about Elon Musk and his words about Russia. Do you think I work for him?

Alexander Ionov, a self-proclaimed human rights activist who recently appealed to Prigozhin’s foundation for help, sent a similar response:

Hi Dean, you’re always writing nonsense […] Why do you write to me if you later come up with articles about me and don’t include my comments? And your questions are not exactly strange but idiotic.
write whatever you want if your CIA fee depends on an interview with me. tell your boss that you’ve done it all.

Don’t bother me with any more stupid questions that have nothing to do with me.

If you want to know why the two Alexanders are so angry with me, you can read my recent reporting about them by clicking here, here, and here.

Got a tip? Send it to me via the comments or the contact form on my “About” page.

“Putin’s Cook” Behind New Russian Action Film “Tourist”

THE FILM marks Yevgeny Prigozhin’s third foray into film-making — and the arrival of a reality-bending new species of Russian propaganda.

Website for action-propaganda film Tourist (source)

On Wednesday, a trailer for upcoming Russian action film, ТУРИСТ (“Tourist”), dropped on YouTube. The film ostensibly tells the true story of Russia’s involvement in the Central African Republic (CAR), and, according to promotional materials, depicts Russian soldiers heroically fighting unnamed “terrorists” seeking to throw the country into turmoil.

Per an accompanying synopsis of the film:

“Tourist” is a film about political intrigue, chases and shootings, about the fight against terrorists – even if they threaten not your home and not even your country. A dramatic and dynamic action movie about people who are ready at the cost of their lives to protect the legal order and the lives of civilians of the Central African Republic – simply because they cannot indifferently watch how innocent people are dying.

The reality is more complicated. For example, U.N. peacekeepers recently accused mercenaries from Russia’s Wagner Group of “grave human rights abuses,” ranging from “attacks on humanitarian actors” to “mass summary executions,” in support of CAR president Faustin-Archange Touadéra’s efforts to quash rebel forces. (Click here for the Guardian’s broad-context reporting on Russia’s activities in CAR.)

The trailer omits another important detail: the film is seemingly owned/funded by Wagner’s titular head Yevgevy Prigozhin, also known as “Putin’s Cook.” That’s according to domain information for the film’s promotional website, whose registrant is identified as “Aurum, LLC.”

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Update, May 19, 2021: Aurum is also listed as copyright holder in the film’s end credits, per this screenshot:

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As Foreign Policy’s Amy Mackinnon and I co-reported last year, Aurum is a film company founded by Prigozhin in 2017. The company’s previous titles include Shugaley and Shugaley 2, which claim to tell the true story of Russian political operative Maxim Shugaley, depicted in both films as an innocent sociologist. Per our reporting, the films were part of a year-long Russian propaganda campaign that sought to free Shugaley from a Libyan prison, where he was detained in May 2019 on espionage charges (he was eventually freed last December and currently runs a U.S.-sanctioned think tank that recently sent operatives to CAR).

The promotional site for Tourist seeks to put a similar spin on Russia’s involvement in CAR, describing the film as “a story told by ordinary people.”

While the site does not mask its association with Prigozhin or the Russian government (which is included in a list of acknowledgements), it does keep its distance from Wagner and, in turn, any alleged human rights abuses it may have committed. For example, the site’s only mention of Wagner comes from a brief excerpt of a Russian news report, which states that the film’s poster was designed by an unnamed “28-year-old girl from Vladivostok” who publishes “popular posters on the theme of PMC Wagner” on social media using the pseudonym “Merry Fox.”

It’s unclear if Fox exists and her Instagram page, currently set to “private,” has zero followers. But here’s a sample of her Wagner fan art:

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